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Greg Walklin

  • Reading 2025

    January 7th, 2026

    Nonfiction > Fiction?

    A few years ago, during an interview with Phillip Roth, the conversation turned to reading habits. Roth admitted to interviewer Jan Dalley that his reading habits had changed significantly as he’d aged. “I’ve stopped reading fiction,” he said. “I don’t read it at all. I read other things: history, biography. I don’t have the same interest in fiction that I once did.” Dalley then asked him why, and he replied enigmatically: “I don’t know. I’ve wised up.”

    This year marked a new reading milestone for me: for the first time in my life, I read more nonfiction than fiction in a year. Although I read about 19 novels or short story collections this past year—the same count as the year before—I read more nonfiction than I had in the past (27 books). Steadily, the amount of novels and short story collections I’ve read has gone down the last few years, from 22 in 2023 and 2022, to 24 in 2021 and a whopping 33 in 2018. I’m not sure I’ve “wised up” in any way, but I suppose I’ve changed.

    Although I have no evidence for this, I suspect this kind of dynamic often happens to certain types of readers as they age. Certainly it happened to Phillip Roth, although at a much later age and after a lot more fiction reading than I have. Literature, Barthes famously said, is the question minus the answer, and perhaps as we get older we are looking more for answers than questions. Similarly, Javiar Marías once said that literature “doesn’t properly illuminate things, but like the match it lets you see how much darkness there is.” Now, if it may be a sort of metaphor to make my point, I find myself using the flashlight option on my phone all the time.

    Another explanation may be my profession. I’m not a full-time writer (I’m not sure I’d even say part-time. What’s less than part-time but more than nothing?). Reading books that I thought could help me in my job—such as a book about problematic government technology implementations, or administrative law—exert some kind of pressure to read more nonfiction. I’m drawn to the practical benefits of understanding policy issues, legal topics, or the context of something I may encounter in my professional life.

    Another explanation may be focused more on the reasons I read fiction. I don’t read hardly any science fiction, fantasy, or genre fiction; not because I look down on them, but only because I don’t find the work terribly engaging. (Caveat: I keep coming back to “The Lord Of the Rings” over and over.) My interest has always been with literary fiction, and that’s not always page-turning or easy to settle down with after a long day of work and child care or during a beach vacation. Nonfiction is often just as mentally demanding, and so some of the pure pleasure in reading fiction in that way is diminished.

    But it is also true that I have not found as much fiction as engaging as I once did. I’m probably missing some authors, but even books read this year by authors I love (Toni Morrison, Lauren Groff) didn’t resonate for me as much as their other works did before. I am willing to admit that is more in the reader than the writer, but if that is true–well, why is that the case? Like literature, I have no answers in this post.

    Anyway, on to the highlights of the last year.

    The Book Side Quest

    The Aeneid, Virgil

    I’ve been on a sort of reading side quest over the last few years, to work my way through all of the Ancient Greek and Roman classics. Last year was “The Illiad,” so “The Aeneid” was the next up, being in essence a sequel to Homer’s epic.

    What struck me most about Ovid’s masterwork—beyond the poetry—was just how obviously situated it was in its own time and place, using the story so neatly to set up mythology. (It reminded me a bit of the accusations against some originalist jurisprudence, of manufacturing history to meet political end. If that is the case, it is obviously not a new enterprise.)

    Quick ranking of these classics, for fun’s sake:

    1. The Odyssey – Emily Wilson’s translation is the new standard (for me at least)
    2. The Metamorphoses – the breadth of stories that found so many other myths and stories in literature make this worthwhile.
    3. The Aeneid – see above
    4. The Illiad – too many boring battles. The Achilles stuff is the best (and probably the reason I should read “The Song of Achilles” at some point.) This could be higher if I’d waited for Wilson’s new translation, given her track record.

    The Legal Books that Shaped My Thinking

    Law’s Empire, Ronald Dworkin

    Another book I had been meaning to read for years finally came my way in 2025: “Law’s Empire” by Ronald Dworkin. I’d only read little bits of his writing here and there, and had once been to a talk he had given on campus—which he spent mostly on the Two-State Solution to the Israel/Palestine conflict—so reading his legal philosophy was long overdue. It was revelatory. His section simply breaking down what is law—what things go beyond the simple words of a statute—would have been mind-expanding enough for me if that was the sole insight of the book. Some of it still assuredly sailed over my head, but Dworkin writes so clearly at other times that it sure feels like it stuck.

    Reading Dworkin and his interpretive theory of the law was a great contrast to the two Oliver Wendell Holmes Jr. books that I happened to read ahead of it: the justice’s great long essay “The Path of the Law,” and Stephen Budiansky’s superlative biography. The opening overview of Holmes life that Budiansky provides may be the best biography opening I’ve ever read. His witty précis and litany of Holmes aphorisms had me laughing out loud.

    Every year I usually read a few contemporary legal books, and this year has been no exception. A few were audiobooks (including a summary of the Brett Kavanaugh hearings, Erwin Chemerinsky’s recent polemic against SCOTUS’s criminal caselaw, and Geoff Berman’s memoir of his time as a federal district attorney). Joan Biskupic’s newish book (“Nine Black Robes”) and Michael Waldman’s (“The Supermajority”) were both informative on current court happenings, although I didn’t find myself agreeing with all that much of their criticism. Finally, Cass Sunstein and Adrian Vermeule’s 2022 book on administrative law (“Law and Leviathan”) perhaps sailed over my head a little, except when they surmised that the Chevron deference doctrine wouldn’t be overturned (whoops). Otherwise I did appreciate their framing of administrative law norms and in-depth discussions of the different interpretative principles.

    The Books I Found Most Engaging

    Below are some of my favorites for the year.

    Fiction

    James, Percival Everett

    Libra, Don DeLillo

    Everybody (including my wife) who said “James,” the reworking of “Huck Finn” from James’ perspective, was great, and they were all right.

    It seems like in my reading of Don DeLillo novels, I’ve started with the books I liked the least, only to enjoy him more each time. I’m now on my sixth DeLillo book, if I’ve not forgotten one. Either DeLillo is clicking for me or I just read the books in the wrong order. “Libra” may be my favorite novel of his, even more so than “Cosmopolis” or “White Noise.” (“End Zone,” “Zero K” and “Underworld” were all, well, underwhelming). While I don’t believe in any Kennedy Assassination conspiracies, I will acknowledge that if there was indeed one, it was probably something similar to what “Libra” imagined. Poetic, deep, and filled with memorable characters, I can finally see, I think, why DeLillo maybe deserves to be in the top ten all-time American writers.

    Poetry

    Normal Distance, Eliza Gabbert

    I didn’t have a lot of luck finding poetry I found particularly engaging this year, with the exception of rereading some old Ted Kooser poems, and the (new to me) “Normal Distance” by Eliza Gabbert, a writer whom I was only familiar with on Twitter (back when it was called that and back when I used it). These poems were arresting and aphoristic and unpretentious, and many felt just like that voice inside your head: “Good luck feels like bad luck waiting to happen, but bad luck still just feels like bad luck.” Sign me up for any future book of her verse.

    Nonfiction

    Reagan: His Life and Legend, Max Boot

    Recoding America: How Government is Failing in the Digital Transformation and How We Can Do Better, Jennifer Pahlka

    In all the nonfiction I read this year, Max Boot’s biography of President Reagan, “Reagan: His Life and Legend,” stood out. It was the kind of evenhanded treatment that the subject deserved. In all the “legacy” talk of Reagan, it seems like we’ve forgotten just how mercurial, charming, and accomplished he was. He saved more than a hundred people from drowning as a lifeguard. He was able to balance practical compromise with consistent political base popularity. (I think we forget how this used to be possible.) He was beloved by his wife and staff but not by his children. He could charm anybody at a party, but preferred to stay at home in his bathrobe and slippers and his Reader’s Digest. Endlessly interesting to try to understand, and always underestimated.

    Meanwhile, Jennifer Pahlka’s book on government failures in the digital area was the kind of practical and insightful account I’m glad somebody has finally written. Pahlka’s a veteran of digital solutions for government problems, and her incisive examination is essential reading for anybody trying to implement technology in government. This type of thing is little understood but often far more important than acknowledged.

  • The Amazing M

    September 17th, 2025

    My latest short story, “The Amazing M,” appeared yesterday at The Words Faire. It was a fun one to write, inspired by actual experience—my kids are old enough these days to actually have been to in-home magician birthday parties—but is also the tip of an iceberg of a world I’ve been (Thinking about? Building? Writing around?) for some time.

    Many thanks to The Words Faire for publishing. I particularly liked the artwork they used along with the story; it was fitting, as you’ll see if you have a chance to read the story, and it’s maybe my favorite accompanying artwork of any story of mine published so far. They have other neat stuff over there, too—check them out!

  • 2024 Year in Reading

    January 7th, 2025

    This year I read, not intentionally, an equal number of fiction and nonfiction books for the very first time; usually my reading has been dominated by fiction. This year I also didn’t set particular goals for my reading, unlike the last several years, hoping to pursue books I found engaging—and not trying to meet a demand or quota. (Sorry to my Goodreads friends!)

    I did encounter a number of excellent titles, however.

    Best Nonfiction

    Fredrick Douglass: Prophet of Freedom, by David Blight, the last book of nonfiction I read in 2024, stood out as the best, and that’s even considering recency bias. I started this to find out a bit more about Douglass, who is appearing in fictionalized form in a short story that I’ve been reworking. I really appreciated how Blight attempted to delve into Douglass psychologically, trying to figure out such oddities as why he would propose going on an international trip with his mistress and his oldest daughter at the same time, or how the deaths of his grandchildren and problems with his own children’s careers may have affected him.

    Blight was also pretty insightful on the political climate during Reconstruction, and his portrayal of Lincoln really jumped off the page. Lincoln’s cabinet sessions, complained Treasury Secretary Salman Chase, were just “meetings for jokes.” Chase wanted more serious affairs, apparently. I think meetings with Abe sound pretty great. This book is essential reading for anyone interested in this period of American history.

    Best Fiction

    My favorite—by a long shot—was Katie Kitamura’s Intimacies, a novel that reminded me of Javier Marías in all the good ways: lonely protagonist (a translator, to boot) touching upon truly disturbing things and lecherous men, all set in a murky Europe. At one point the narrator muses how a new relationship allowed one “the opportunity to be someone other than yourself.” Her involvement in some legal proceedings, regarding an ex-head of state and war criminal, resonated with me (as an attorney):

    But I no longer believed that equanimity was either tenable or desirable. It corroded everything inside. I had never met a person with greater equanimity than the former president. But this applied to all of them—to the prosecution and the defense, to the judges and even the other interpreters. They were able to work. They had the right temperament for the job. But at what internal cost?

    The lack of other fiction stirring me as much this year as other years is probably more of a reflection on me than it was the books I read. Georges Perec’s Life: A User’s Manual was a truly staggering and impressive assemblage of stories, and the newest Han Kang novel, Greek Lessons, was a cutting book that blazed through as quick as I can. Kang is more than deserving of the Nobel.

    I just as quickly gobbled up Richard Powers’ latest novel, Playground, and it taught me much about the amazing things lurking just below the surface of the oceans. (I also was struck by the discussions in that book of the philosopher Nikolai Fedorovich Fedorov and his idea of “The Common Task,” an idea I can’t stop thinking about.) The one that most disappointed me, even though it had some bright spots, was Álvaro Enrique’s newest, You Dreamed of Empires; but that was perhaps only because I had enjoyed his tennis novel Sudden Death so much. (My review of it was published over at Literal Magazine.)

    Best Poetry

    Like in 2023, I read a bit more poetry than I had in years past—which, again, was intentional, both for a change of pace and because I have found myself tinkering with writing more verse myself (My first published poem appeared this year in The Bookends Review.) Deaf Republic by Ilya Kaminsky was the favorite for me in 2024. It straddles the line somewhere between a play and a series of connected poems, as all are about one Ukrainian town’s struggle against a Russian invasion. Kaminsky’s model was not the latest Russian invasion of Ukraine, but its previous incursions. It’s tragic, sharp, focuses on a brutal and—still—shines light on a timely event in the world.

    I did also enjoy Roger Reeves’ collection Best Barbarian, and will think, no doubt annually, of how he describes pear trees: “a revelation to itself each spring.”

    Going back to some T.S. Eliot on a recommendation from my boss was refreshing for how poetry used to be written. There I came across a passage I remembered quite well from “Little Gidding”:

    We shall not cease from exploration

    And the end of all our exploring

    Will be to arrive where we started

    And know the place for the first time.

    I could not place where I had last heard it. But by sheer coincidence I was rewatching “Interstellar,” right around the time of reading the poem, and it occurred to me that the poem would make quite an apposite epigraph for the film. As it turns out, it was used in voiceover for the trailer. (Dylan Thomas’ verse is used more frequently in the film itself, although the Eliot is better IMHO.)

    “Little Gidding” works as a good metaphor for reading, frankly, too.

    Legal Highlights

    My nonfiction reads always tilt heavily toward the law and legal-related topics, given my profession. To that end I enjoyed several legal books again this year:

    • I read a short volume of American Legal History, which prompted me to pick up Ronald Dworkin’s Law’s Empire (still working through that one).
    • Antonin Scalia’s lecture A Matter of Interpretation, which was, along with some responses, collected in a book, proved to be thought-provoking on the ever-relevant topic of Textualism and statutory interpretation (and just enjoyable to read—Scalia was such an excellent prose writer).
    • Dahlia Lithwick’s Lady Justice, which focused on various female attorneys’ cases against the Trump Administration, as well as The Chickenshit Club by Jesse Eisinger, touching on the failure of the Department of Justice under President Obama to prosecute those responsible for the 2008 financial crisis, proved to give one keen insight on how high-profile attorneys operate day-to-day—and perhaps some of their failings.
    • Lastly, Joan Biskupic’s biography of Chief Justice John Roberts (The Chief) was equally insightful about how a high-profile attorney’s career ascended to such heights. It had been on my list for a while. I’m not sure it has wholly answered my questions about what John Roberts really thinks, though that is probably always going to be an enigma.

    Audiobooks

    I have only recently started seriously enjoying audiobooks. The one highlight for me was finally listening to Andy Serkis’ rendition of The Hobbit. I picked up the rest of “The Lord of the Rings,” and “The Silmarillion,” as read by Serkis, and will plan on enjoying those at some point, perhaps in lieu of reading the actual books again. Experiencing a book you’ve read several times before as an audiobook provides a new dimension, I think, and it’s a fun way to revisit the classics.

  • Review of “Winter’s Fury”

    June 2nd, 2024

    My review of Perla Suez’s novel “Winter’s Fury” has gone up over at Literal Magazine.

    This book offered quite a change of pace for me—it was a short, matter-of-fact tale covering a slice of history I wasn’t otherwise aware. It was understated, but not vague, and had a kicker of an ending.

    From the review:

    Suez’s novel ably shows the immense dangers of unthinking, and gives a new twist to Socrates’ proclamation about the unexamined life.

  • Review of “You Dreamed of Empires”

    April 24th, 2024

    My review of Álvaro Enrigue’s latest novel has gone up over at Literal Magazine. I loved Enrigue’s last novel, “Sudden Death,” in part because I’m a long time tennis player, but also because few authors I’ve read seem to really nail historical fiction in the way he does—by achieving a voice to the writing that makes the characters and situations truly feel like they happened a long time ago. (Hilary Mantel was one of the others.)

    You’ll have to read the review to see if I liked “You Dreamed of Empires” as much as “Sudden Death.” Writing the review was mostly a battle with autocorrect for correctly spelling “Enrigue” and not “Enrique.”

  • The Siege of Baghdad

    February 13th, 2024

    My first published poem, “The Siege of Baghdad,” is live over at The Bookends Review. It’s about a topic I’ve found myself writing on “again and again.”

  • Review of “Cross Stitch”

    January 31st, 2024

    My review of Jazmina Barrera’s novel Cross Stitch is live over at Literal Magazine. You can read it here.

    This novel definitely made me think twice about all of the weaving, stitching, and other similar metaphors I’ve used in reviews and essays.

  • Review of “House of Geishas”

    January 10th, 2024

    My review of Ana María Shua’s microfiction collection “House of Geishas” is now up over at Literal Magazine. From the review:

    Ana María Shua may be one of the best living practitioners of [microfiction]. Though the Argentinian has written novels, poetry, and children’s books, she is best known for her microfiction, often described as the “queen” of the genre. Indeed, there is so much going on in the pages of House of Geishas, but somehow more going on off the page, which is a credit to the author’s ability. In the book, she demonstrates her complete mastery of the form, providing incisive and cutting tales that question, wound, bemuse, and befuddle.

  • Reading 2023

    December 30th, 2023

    For the last 15 years, I’ve been tracking my reading. I thought I’d share a post with some of the notable things I’ve read in 2023.

    After all these years, though, I’ve come to see tracking as double-edged sword. On one side of the blade, tracking gives one strong insights into what information one has digested, fictional worlds entered, and lets one look back and remember books one may have otherwise forgotten. On the other side, all of this tracking can sometimes making reading seem to be “another thing,” or a task to check off a list.

    While I intend to keep tracking in 2024, I may sit out the “challenge” in Goodreads. Reading, for me, is something I find personally engaging and fulfilling—it’s not a competition.

    Tools

    I use Apple Notes to keep the running list, along with other detailed information, but I also track in Goodreads and using the BookTracker iOS app.

    Highlights

    This year I finally read Founding Brothers by Joseph Ellis. I’d read his most recent book, American Dialogue, connecting the founders with contemporary issues, and had snagged a hardback of this Pulitzer-winner at a library sale. “Founding Brothers” was astonishing—I find Ellis to be much more engaging than some of the other historians of the period, especially psychologically. I’m recommending Ellis to anyone who loves reading about the founders as much as I do. I purchased a copy of “American Dialogue” as a gift for my dad.

    Demon Copperhead, Barbara Kingsolver’s latest, was the finest novel I read this past year. It’s a masterpiece. This was the first Kingsolver book for me, after a glowing recommendation from my wife. Her characters are rich and so distinctly clear products of their environment and upbringing, something not often seen in the American literary fiction I’ve read, at least.There is more Kingsolver in my future.

    One of the six books I reviewed this year, Fernanda Melchor’s This is Not Miami, was perhaps the finest. And it’s also my favorite book of the year, alongside “Demon Copperhead” and “The Family Roe” (more on that last one later). If you want to see more of my thoughts on it, head overto Literal Magazine.

    The Tyranny of Merit, by Michael Sandel, was another one of those nonfiction books I’ve read recently that has clarified my perspective on things. His central insight is that the rhetorical or political focus (often by Democrats) on meritocracy has an insidious side, that of making folks who didn’t “win” the meritocracy—really, most of us—feel disillusioned while those that did—say, the Harvards and Yalies—feel that they deserve their success perhaps more than they really do. Sandel is self-aware enough that being a Harvard professor doesn’t interfere with his clear understanding and clear-eyed insight into the way his students have changed, but not for the better.

    Lastly, The Family Roe was perhaps the best nonfiction book I read in 2023. It took Joshua Prager a decade to write it, but the effort was worth it. Prager is not an apologist for the court decision, nor a loather of it, instead focusing on the people involved: from unhappy and enigmatic Norma McCorvey, or “Jane Roe,” to the eccentric lawyers, and even more eccentric (and tragic) abortion opponent Mildred Jefferson. He discovered a lot of new information, especially about McCorvey. The book also makes one think hard about the role of courts and legislatures when it comes to abortion—but not in a partisan or black-and-white manner.

    Old Fiction Favorites

    More novels this year by Toni Morrison; Richard Dooling (my old law prof!); Don DeLillo (Cosmopolis, which might be the finest book of his I’ve read); Cormac McCarthy; and Richard Yates, among others.

    The Supreme Court

    Perhaps because I’ve returned to the practice of law, my reading on legal things has stepped up this year. Among the selections: Supreme Inequality by Adam Cohen; The Shadow Docket by Stephen Vladeck; “The Family Roe,” Showdown: Thurgood Marshall and the Supreme Court Nomination that Changed America by Wil Haygood; and The Most Dangerous Branch by David Kaplan. The Kaplan was a nice balm for me, with good critical analysis of activism by both the “conservative” and “liberal” justices, which was needed after reading the more left-leaning critique of Cohen. It’s a strong defense of judicial minimalism. Vladeck’s analysis of SCOTUS’ usage of its non-opinion writing power—a good recent example of “judicial triumphalism,” I bet Kaplan would think—was also fairly balanced, it seemed to me, even if Justice Alito apparently hates him and Vladeck is transparent about leaning left. Haygood, meanwhile, further convinced me that Thurgood Marshall would have been a top-25 American of all time, even if he hadn’t served on the Supreme Court. (Though Kaplan did note that, despite his overwhelming greatness as a lawyer, Marshall sometimes may have phoned it in on the top bench.)

    Poetry

    In 2023, I read a bit more poetry than I have in years past—seven or so full length books of verse. First, I kicked off the year by finally reading through all of the original edition of “Leaves of Grass,” having read bits of Whitman for years, ever since I crashed a Whitman conference on campus as a college student.

    The highlight was Donald Justice’s New and Selected Poems. I’d never encountered Justice, the “poet’s poet” before, but I found his poems to be engaging and startlingly relevant. (“Men at Forty” being the most on the nose.) Perhaps it was this poetry reading that inspired me to start submitting poems of my own. (My first published poem, “The Siege of Baghdad,” is forthcoming at Bookends Review.) Other highlights include a series of poems from the perspectives of jurors by Rita Dove, and several startling Louis Glück verses.

  • Throwback to “Space Tears”

    December 17th, 2023

    My short story “Space Tears Can Hurt” was featured over at Pulp Literature’s Throwback Thursday. You can buy a copy of the journal with “Space Tears” in it directly from Pulp online. Digital is only $5.

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